Artist / Band
Biography
bpNichol.ca is a collaborative enterprise with many moving parts. The current curator of the collection is Gregory Betts, poet and professor at Brock University, working in collaboration with Alana Wilcox, editorial director of Coach House Books. The original site was launched in 2008 as a pilot project for Artmob, a research project on Intellectual Property and Arts Archiving at York University in Toronto, led by Darren Wershler and David Meurer. The website was created and designed by Bill Kennedy of Intelligent Machines, and the original curator was Lori Emerson.
The bpNichol.ca advisory board is a collective comprised of Lori Emerson, Ellie Nichol, Clint Burnham, Leigh Nash, Stephen Voyce, and derek beaulieu. The archive is currently independent, operating with the instrumental technical and financial support of Coach House Books and Brock University.
I'm looking for something not in the collection. When will it be digitized?
Unfortunately, not every work that bpNichol wrote or published is currently in the digital archive. We are constantly working at digitizing and collecting new works for the collection. The best bet is to check back often, or follow us on Facebook or Twitter to receive updates as they happen.
How can I contribute?
We are a community-based project, which means we welcome your input and contributions in a number of ways. In particular, if you have publication details about any item in the collection, or a digital version of a work that you would like to see added, please contact Gregory Betts at gbetts@brocku.ca.
Can I use material from bpNichol.ca in the classroom?
Yes, the materials in the bpNichol.ca digital archive are intended to be used for research, teaching, and private study. Please see the citation material for each item for more details about specific copyright protection. All of Nichol's writing on the website has been sanctioned for open access use by the Estate of bpNichol. Furthermore, if you are an educator and would like to discuss ideas and strategies about integrating material from the archive in your course, please contact Gregory Betts at gbetts@brocku.ca.
49 tracks
3 tracks
Not What the Siren Sang but What the Frag Ment
One Sing
Cycle No.17
10 tracks
Dada Lama
The Incest Song
Bill Bissett’s Lullaby
A Hum for Stevie Winwood
M.L.’s Dream
STHNLA
Historical Implications of Turnips
The Child in Me
Pleasure Sweets
Angels Hair Mother Love Suite: Intro; Allementry; Plunket Pastoral; Two Buried Texts Part I - Silver Lake Six; Two Buried Texts Part II - Silver Lake Six; A Little Love Poem for Your Lobes to Nibble On; Visitation; Cada
Showing 10 of 11 tracks
Love Poem for Gertrude Stein
Flower Eyes
Son of Sonnet
Clouds - Auguries - Sons and Divinations
Friends as Footnotes
Music
A Small Song that is His
Clover
A Hum for Reub
Hiroshima Mon Amour
bpNichol - The Child in Me
bpNichol - Winwood’s Hum
bpNichol - Flower Eyes
bpNichol - M.L.’s Dream
bpNichol - War & Peace
bpNichol - I’d Love Just Once To See You in the Nude (with trumpet concerto)
bpNichol - A Hum for Reub on his 22nd
Ann Southam & Sean O'Huigin - 8 Way Jones
Ann Southam & Sean O'Huigin - Flostic
Showing 10 of 16 tracks
Dada Lama
Pome Poem
060173
Eight Part Suite
Cosmic Piece for Orchestra & Chorus
Art in Upheaval
Generations Generated
Afternoon Attentions
meeln
Acres Rare Meet
Gallery
1 image
Media
0 videos
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