Brutus   st %286%29

$10.00

Brutus - ST

Format: LP
Label: GRT 9230 1057
Year: 1976
Origin: Toronto, Ontario, 🇨🇦
Genre: rock, pop
Keyword: 
Value of Original Title: $10.00
Make Inquiry/purchase: email ryder@robertwilliston.com
Release Type: Albums
Websites:  https://bullseyecanada.bandcamp.com/album/for-the-people
Playlist: Ontario, 1970's, Pop, Round, Round with Frank Ludwig

Tracks

Side 1

Track Name
Ooh, Mama, Mama
Tango
3:30 Came
Who Wants to Buy a Song?

Side 2

Track Name
Sailing
Search for Tomorrow
Lookin' So Good
Break My Heart
For the People

Side 3

Track Name
(Let Me Down) Slow and Easy
Ride Cowboy Ride
King of the World
Tonight Tonight

Photos

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ST

Videos

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Information/Write-up

Brutus was a Canadian rock band formed in 1969 and active, with interruptions, between 1969 and 1978. Known for their flamboyant stage presence, theatrical rock style, and brass-driven sound, Brutus carved out a unique place in Canada’s rock landscape during the glam rock and progressive era.

The original band lineup featured:
Walter Zwolinski (then billed as “Wally Soul”): lead vocals
Tom Wilson: bass
Michael Magann: trumpet
Lance Wright: drums
Eldon “Sonny” Wingay: guitar
Bill Robb: saxophone, trombone

In their early years, Brutus opened for major touring acts like The Guess Who and Chicago at venues such as the University of Waterloo. Their 1970 single “Funky Roller Skates” reached #7 on the RPM Canadian Content chart, though it did not cross over into the national Top 100. During this era, they were occasionally billed as Brutus and the Assassins, in reference to another Toronto group, Little Caesar and the Consuls.

Brutus was also featured on high-profile festival lineups, including the Freak Out festival held at Rock Hill (August 29–September 1, 1969), alongside The Brass Union, Rhinoceros, Lighthouse, Motherlode, and The Guess Who. They were also booked at the Midsummer Night’s Rock Fest in Michigan (June 26–July 5, 1970), alongside Rotary Connection, The Poor Souls, and Chimo!.

The band disbanded in 1971, then reformed in 1973 with a revised lineup and a more theatrical visual identity, echoing the glam rock aesthetic of the UK scene. With heavy makeup, outlandish costumes, and sexually provocative stage routines, Brutus became a dynamic live act, though they clashed at times with local authorities and concert promoters. Their live appeal culminated in a sold-out performance at Ontario Place in Toronto, where they shared the stage with The Stampeders, April Wine, and the Greaseball Boogie Band (later Shooter).

This new lineup recorded two singles with GRT Records in 1975. “Ooh Mama Mama,” featuring Frank Ludwig on keyboards and vocals, became their most remembered track—although it didn’t chart in RPM, it was named Top Canadian Single of the Year in a Montreal Star reader’s poll and performed well in regional markets. Their lone studio album, Brutus (1976), followed and included the national charting single “Who Wants to Buy a Song” (#65 RPM), as well as other hard rock tracks fusing horns and guitar-driven energy. A final non-charting single was released before the group disbanded again.

In one of their final major shows, Brutus opened for Peter Gabriel at Toronto’s Maple Leaf Gardens, a high-profile farewell moment for the group.

Brutus also served as an incubator for many Canadian rock talents. Among the musicians associated with Brutus over the years:

Frank Ludwig (later of Trooper)
Doni Underhill (later of Trooper)
Gino Scarpelli (Goddo)
Paul Dean (Streetheart, Loverboy)
Jerry Doucette (solo artist)
John Bride (Cameo Blues Band)
Dennis Pinhorn (Downchild Blues Band)
Len Sembaluk (later of Alabama)

Brutus worked with legendary producer Jack Richardson, best known for producing The Guess Who. While Brutus never broke internationally, their mix of glam, brass, and theatricality—as well as their role in launching key Canadian rock players—secured their place in Canada’s musical heritage.
-Robert Williston

Walter Zwolinski (Walter Zwol): lead vocals, electric accordian, synthesizer, piano, organ
Wood West (Woody West): electric guitar, slide guitar, acoustic guitar, background vocals
Danny Smith (Freddie Ferdowich): percussion
Laurie Del Grande (Pepe Del Grande): string synthesizer, piano, organ, background vocals
Donu Underhill (Percival C. Eater): electric bass, electric fretless bass, background vocals

Other musicians:
Dennis Pinhorn: bass on "Ooh Mama Mama" & "Ride Cowboy Ride"
Frank Ludwig: keyboards on "Ooh Mama Mama" & "Ride Cowboy Ride"
Chris Brockway: bass on "Sailing"

Special Thanks to Bob Romanyk, Yazoo Bazoo, George Elmes, Ross Reynolds

And all the Brutus alumni:
Sandy White, Sonny Wingay, Bill Robb, Michael Magann, Lance Wright, Len Sembaluk, Bruce Gordon, Danny Smith, Frank Ludwig, Gino Scarpelli,
John Bride, Dennis Pinhorn, Doni Underhill, Dave Breckles, Breen LeBoeuf, Art Zulys, Laurie Del Grande, Woody West, Chris Brockway, Paul Dean, Bill Wade, Jerry Doucette (and others possibly forgotten)

OOH, MAMA, MAMA/RIDE COWBOY RIDE/
(LET ME DOWN) SLOW AND EASY/TONIGHT TONIGHT
Produced by Jack Richardson
Recorded @ Nimbus 9, Toronto, 1975
Soundstage-Engineer: Bob Schaper
Assistant Technician: Jim Frank

TANGO/3:30 CAME/WHO WANTS TO BUY A SONG
SAILING/SEARCH FOR TOMORROW/LOOKIN' SO GOOD
BREAK MY HEART AGAIN/FOR THE PEOPLE/KING OF THE WORLD
Produced by Ralph Murphy
Recorded and mixed @ Tempo Studios, Toronto, 1976
Engineer: Van Terry
Assistant-Engineers: Billy Szawlowski & Gordon Gibson

All songs written by Walter Zwol
Produced by Jack Richardson and Ralph Murphy for Nimbus 9
Engineered by Bob Schaper (track A1) and Van Terry (tracks A2 to B5), assisted by Billy Szawlowski (tracks: A2 to B5) and Gordon Gibson (tracks: A2 to B5)
Recorded at Soundstage and Studio Tempo, Toronto, Ontario
Mixed at Studio Tempo, Toronto, Ontario

Cover photograph by Gerard Gentil
Inner sleeve band photos by Bruce Cole
Tray card photo is anonymous
Zwol caricature courtesy Berlin's
Album design by John Martin and Slic Bros.

Re-issue: digital restoration and sequencing by Glenn Belcher for Trailer Park Prod. @ Prisma Sound, Toronto (hillbill@home.com)
Project Supervisors: Walter Zwol and Jaimie Vernon
Mastered by Peter J. Moore @ the E-Room

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