Tammy rafferty

$50.00

Rafferty, Tammy - Just Tammy

Format: LP
Label: Periwinkle PER 7312
Year: 1973
Origin: Toronto, Ontario, 🇨🇦
Genre: pop
Keyword: 
Value of Original Title: $50.00
Inquiries Email: ryder@robertwilliston.com
Release Type: Albums
Buy directly from Artist:  N/A
Playlist: Ontario, 1970's, Pop, Canadian Women in Song

Tracks

Side 1

Track Name
Keep All Your Kisses for Me
You are the Sunshine of My Life
(But Then) We Only Had a Dream
Hurricane
Take Off Your Shoes
Your Song - Killing Me Softly

Side 2

Track Name
Too Young to Get Married
Find Yourself a Boy
That Day When I Saw Your Face
Tammy's Song
I Feel the Earth Move
Windy Days

Photos

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Tammy Rafferty - Just Tammy

Tammy rafferty   just tammy vg  label 01

Tammy Rafferty - Just Tammy LABEL 01

Tammy rafferty   just tammy vg  label 02

Tammy Rafferty - Just Tammy LABEL 02

Tammy rafferty

Just Tammy

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Information/Write-up

Tammy Rafferty emerged in the early 1970s as one of Periwinkle Records’ most promising young vocalists, an exceptionally poised teenage singer whose natural musicality and warm, expressive tone placed her alongside Canada’s rising adult-contemporary and light-pop voices of the era. Born in Toronto and the daughter of actress Marilyn Reddick, Rafferty was performing and recording professionally in her mid-teens, impressing industry veterans with a confident delivery far beyond her years. By 15 she was appearing on radio, conducting interviews, and preparing television performances while still completing her schooling.

Her debut album, …Just Tammy (Periwinkle PER-7312, 1973), showcased a wide stylistic range that moved easily between contemporary pop, soulful ballads, and gentle folk-pop phrasing. Recorded at Sound Canada Recording Centre and produced by Lenny Blum, the album featured a seasoned studio ensemble including Bruce Ley, Maurice Bolyer, Mickey Andrews, and members of Toronto’s working jazz and studio circles. Rafferty handled lead vocals and classical guitar, interpreting then-current repertoire such as “I Feel the Earth Move,” “Your Song/Killing Me Softly,” and “You Are the Sunshine of My Life” alongside original and lesser-known material, delivered with a clear, earnest lyric sense and youthful intensity.

RPM quickly took notice. Her debut single “Find Yourself a Boy” drew early regional momentum, receiving playlist support across Ontario, with strong spins at CKOC Hamilton and CKWS Kingston and chart action at CHEX Peterborough. RPM highlighted her promotional push, including a well-received interview with Betty Kennedy of CFRB and a half-hour television special taped for CHEX-TV in Peterborough on August 6, 1973. CKOC’s influential music director Nevin Grant championed the record, helping drive broad Ontario exposure; Periwinkle even issued promo kits and T-shirts to support the campaign. …Just Tammy entered the RPM 100 Albums chart on July 21, 1973, rising steadily to #37 on September 29. The LP remained on the chart through the fall and reappeared in recurrent listings throughout 1974, an impressive run for a young independent artist.

Rafferty next appeared with bandleader Pete Schofield, lending lead vocals to his jazz-funk crossover LP Do Something Nice Today! (originally issued on PS Records, reissued Periwinkle PER-7314, 1974). Her performance on the title track stands as one of her most compelling studio moments, with a soulful, rhythmically confident delivery that blends seamlessly into Schofield’s horn-driven arrangements and Fender-Rhodes textures. She also tackled “I Feel the Earth Move” again in a looser, funkier treatment, supported by Schofield’s ensemble of Toronto jazz players. A rare companion 45, “Do Something Nice Today” b/w “Summer Love” (PS 101), remains a highly sought-after independent Canadian funk single, prized for Rafferty’s vocal presence and the record’s heavy, private-press sound.

Together, these recordings represent the entirety of Tammy Rafferty’s documented discography — a brief but striking burst of talent that flashed across Canadian radio, television, and independent label culture at a moment when young voices were beginning to find national platforms. With strong reviews, chart success, and a standout crossover appearance with one of Canada’s top club bandleaders, she left a small but memorable imprint on the country’s early-1970s pop and jazz-soul landscape. Though she recorded only once under her own name, …Just Tammy and her work with Pete Schofield remain treasured artifacts of a gifted young singer who arrived fully formed, made her impact, and then quietly stepped away.
-Robert Williston

Tammy Rafferty: lead vocals, classical guitar
Lenny Blum: acoustic guitar, electric guitar, producer
Bruce Ley: keyboards, vibraphone, glockenspiel, tambourine, bongos, finger cymbals, tunchy, drums
Don Paveling: bass
Paul Clinch: drums
John Hannah: drums on "Your Song/Killing Me Softly” and “That Day When I Saw Your Face”)
Jacques Harrison: flute, alto saxophone (“That Day When I Saw Your Face”)
Jim Heineman: tenor saxophone (“Your Song/Killing Me Softly”, “I Feel the Earth Move”)
Darnell Nameth: saxophone (“Take Off Your Shoes”, “You Are the Sunshine of My Life”, “But Then We Only Had a Dream”)
Noel Methven: trumpet
Mickey Andrews: pedal steel guitar
The Peter Mannes Trombone Ensemble: trombone
Lillian Nicholoff: violin, viola
Lynn Tessier: background vocals (“Keep All Your Kisses For Me”)
Maria Lont: background vocals (“Your Song/Killing Me Softly”, “You Are the Sunshine of My Life”)
Cliff Lunt: background vocals (“Your Song/Killing Me Softly”, “You Are the Sunshine of My Life”)

Produced by Lenny Blum
Engineered by Glenn Clarke, Ken Friesen, Bob Straight, and Brian Mitchell
Recorded at Sound Canada Recording Centre, Toronto, Ontario, 1973
Mixed by Glenn Clarke

Cover photograph by Jack Fleger
Back photograph by Ira Cohen
Album co-ordination by Allan Park

THE SINGER

She was born with melodies
that sparkled in her eyes
And fifteen years flew past her lips
like fifteen butterflies

For growing up is little more
than laughing at the seas
Of youth give way to warmer worlds
and deeper melodies.

To those who say that she is young
I think perhaps they're wrong
For as she sings she knows no years
But those within the song.

So what care I for measurement of age
or time or years that fly,
For as I listen to her sing
a thousand years could pass me by.

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