Information/Write-up
Madman is a time capsule of raw creativity, captured at a moment when punk energy and new wave intelligence collided. Originally recorded in 1979 but left unreleased until 2009, this long-lost album by Benjamin Russell showcases his early transition from folk into a much edgier, electrified sound.
Inspired by the likes of The Clash, Ramones, Bowie, and The Jam, Madman blends sharp lyricism, garage-tight instrumentation, and a rebellious melodic streak that recalls Elvis Costello or early Joe Jackson. It's rock that flirts with punk, but with enough pop sensibility to hook you in. The songs are tight and alive with a spirit of DIY discovery.
Russell’s vocals are front and centre, delivering lines with conviction. Guitarist Kevin Farrington brings muscle and finesse, doubling as bassist during the sessions, while drummer Brian (last name unknown) anchors the trio with a no-frills rhythmic punch. Every track is a winner but from the infectious “Baby, This Is Love,” through the rousing closer “Can You See Me?”, and the raw bonus track “Broken-Hearted Lovers,” recorded live during a high school gym jam with The Strokes (yes, they had the name first).
Despite its lo-fi origins, Madman never feels unfinished and is totally of its time. That it sat unheard for three decades makes its rediscovery all the more satisfying.
This album stands as an early milestone in the eclectic and ever-evolving discography of Benjamin Russell, an artist whose prolific work continues to defy easy categorization.
-Robert Williston
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