Information/Write-up
Elaine Overholt: lead vocals, backing vocals
Colina Phillips: lead vocals, backing vocals
Judy Tate: lead vocals, backing vocals
Tom Szczesniak: bass
Brian Leonard: drums
Eric Robertson: keyboards
Bob Mann: lead guitar
Brian Russell: lead guitar
Maribeth Solomon: synthesizer
Vair Capper: percussion
Bernie Piltch: flute, alto saxophone, alto clarinet
Sid Beckwith: flute, tenor saxophone
Brad Warnaar: French horn
Graeme Page: French horn
Charlotte Moon: harp
Bob Livingston: trombone
Eugene Watts: trombone
Fred Mills: trumpet, flugelhorn
Ronald Romm: trumpet, flugelhorn
Charles Daellenbach: tuba
Peter Schenkman: cello
Dick Armin: cello
Ron Laurie: cello
Jack Neilson: viola
Paul Armin: viola
Susan Lipchak: viola
Andy Benac: violin
Bill Richards: violin
Carol McCartney: violin
Jack Groob: violin
Lenny Solomon: violin
Morry Kernerman: violin
Myron Moskalyk: violin
Stan Kolt: violin
Arranged and conducted by Micky Erbe
Produced by Paul Gross and Micky Erbe
Engineered by Mark Wright, assisted by Jeff Stobbs and Mick Walsh
Disc mastering engineer: George Graves
Assistant disc mastering engineer: Robin Brouwers
Executive producers: Douglas R. Hill and Gordon R. Pedwell
Photography by Bruno F. Cantieni
Concept by Maribeth Solomon
Recorded at Phase One Studios, Toronto, Ontario
Mastered at The Lacquer Channel
Made by World Records
Distributed worldwide by Discwasher Group
Producers Comments:
The direct to disc process presents a producer with a whole new series of problems not present in the regular recording process. The most prevalent is that one must work in real time. That is to say that actual recording time for a sixteen minute side is sixteen minutes. The musicians only have a few seconds rest between tunes. Thus should an error be made in the last minute of the side, we must stop and start over from the beginning.
This problem becomes increasingly difficult when dealing with vocalists. In this particular case however, the girls gave an enduring effort of excellence. They made virtually no mistakes. Their presence, cooperation, and desire to succeed was considerable. They deserve a great deal of credit for the success of this project and I respectfully thank them for this. It truly Overholt, Tate and Phillips.
-Paul Gross
Overholt, Tate and Phillips credit to disc on KIRAS RECORDS achieves the ultimate in direct to disc clarity and recording excellence. They went through the insert door into Pilchner Schoustal’s custom built custom 20 input/4 output recording console fed direct to the Neumann VMS 66 cutting lathe. The finished Neumann disc mastering lathe. Among microphone used were Neumann U87, AKG 451 and Neumann KM 84. Beyer M160, AKG 414 and Sony 37.
No Comments