Information/Write-up
Cornelia Boucher Sutherland is a Canadian singer, multi-instrumentalist, and entertainer born in Arichat, Cape Breton, Nova Scotia, and raised on the Acadian community of Isle Madame. Growing up in a region where music was woven into daily life, she developed an early and instinctive relationship with song, singing in a leading girls’ choir by 1967, and learning to play a wide range of instruments including guitar, drums, mandolin, harmonica, and piano. While she was fluent across many instruments, the piano became her primary vehicle for songwriting and performance, anchoring a musical career that would ultimately span more than three decades.
Boucher emerged nationally in the early 1970s with the release of her self-titled debut album Cornelia on Gamma Records, issued in both French and English versions. Her early rise followed a period of national recognition that included being Nova Scotia’s sole entrant in the 1969 Miss Canada Pageant, where she was co-winner of the Pageant’s talent award, and winning the Canadian and North American college music championship (popular music category) at the Canadian National Exhibition in 1969. The album revealed a distinctive stylistic range, blending folk, country, Acadian tradition, and popular song forms, while showcasing her strengths as both a songwriter and interpreter. Several compositions on the album were her own, reflecting a lyrical voice rooted in personal experience and regional identity, while her interpretations of traditional material and contemporary songs demonstrated an ease moving between languages and musical traditions.
Throughout the 1970s and early 1980s, Boucher became a familiar presence on Canadian television, making multiple appearances on The Tommy Hunter Show and other national broadcasts. In 1982, she won the Du Maurier Search for Stars, further cementing her reputation as a compelling live performer with broad audience appeal. Her ability to connect effortlessly with audiences—combining warmth, humour, and musical versatility—became a defining feature of her career.
Following the release of her solo work, Boucher began a long-running musical partnership with her then husband, Billy MacLeod. Performing as Cornelia & Billy, the duo recorded three albums and spent more than twenty years touring extensively throughout Canada, as well as parts of Europe and South America. Their repertoire drew on country, blues, folk, and East Coast traditions, and their performances were marked by an unforced authenticity that resonated with audiences across generations. Together, they built a sustainable career on the road, becoming respected fixtures on the Canadian folk and roots circuit.
In 2010, Cornelia Boucher was honoured with the Stompin’ Tom Connors Lifetime Achievement Award at the East Coast Music Awards, presented jointly to her and Billy MacLeod in recognition of their enduring contribution to Canadian music. Her performance at the ceremony—delivered years into her career—was widely remembered as a powerful reminder of her vocal strength and stage presence.
In later years, Boucher established Calgary, Alberta as her adopted home, while remaining closely connected to her Maritime and Acadian roots. She continued performing regularly, developing a second chapter in her career centred on intimate, audience-focused shows that blend folk favourites, golden-era popular songs, and East Coast material, shaped carefully to suit each venue and audience. In 2024, her hometown of Arichat honoured her life’s work with the unveiling of a permanent museum display celebrating her musical achievements, completing a full-circle recognition of an artist whose career began and ultimately returned home.
Across solo recordings, collaborative projects, and decades of live performance, Cornelia Boucher Sutherland’s legacy rests on her versatility, linguistic and cultural fluency, and an enduring commitment to music as a shared, living experience.
-Robert Williston
Musicians
Wayne Thompson: drums, percussion
George Johnstone: electric bass, percussion
Paul Gauvin: electric guitar, acoustic guitar
Billy Budd: steel guitar, dobro
Songwriting
‘The Lord’s the Only One (Jehovah)’ – written by Cornelia Boucher
‘Little Thing Called Love (Notre Amour)’ – written by Cornelia Boucher
‘Toujours avec toi’ – written by Cornelia Boucher
‘I Just Wonder (Je Me Demande)’ – written by Cornelia Boucher
‘The French Song’ – written by Harry Pease and Larry Vincent (uncredited); English text adapted by Lucille Starr
‘Kansas City’ – written by Jerry Leiber and Mike Stoller
‘You’re Not Real Pretty But You’re Mine (Mais Tu Me Plais)’ – written by Cornelia Boucher
‘Winter Wood’ – written by Don McLean (uncredited)
‘Butcher Boy’ – traditional folk song; text adapted by The Clancy Brothers and Tommy Makem
‘Caper from Cape Breton (Une fille de Cap Breton)’ – written by Cornelia Boucher
‘Brand New Tennessee Waltz’ – written by Jesse Winchester
‘Long Lonely Day (Refrain pour la fin du jour)’ – written by Cornelia Boucher
Production
Produced for Fundy Recording Co.
Produced by Ron Hesler
Arranged by The New Breed
String arrangements and orchestration by Leon Aronson
Artwork
Photography by Pridham’s Studio, New Glasgow, Nova Scotia
Liner notes by Donna Hesler
Notes
English-language version of Cornelia Boucher’s French-Canadian LP Cornelia, issued with an English sleeve. Track sequencing differs from the French release.
‘The French Song’ was popularized in 1964 by Canadian singer Lucille Starr as “The French Song (Quand le soleil dit bonjour aux montagnes),” though both original composers are uncredited here.
‘Winter Wood’ is an uncredited cover of Don McLean’s 1971 recording, with minor lyric variations.
Liner notes:
Cornelia Boucher, native of Arichat, Cape Breton, has accomplished much since she won a folk festival competition and sang in a leading girls choir in 1967. Nova Scotia’s sole entry in the 1969 Miss Canada Pageant and the co-winner of the Pageant’s talent award . . . winner of the Canadian and North American college music championship (popular music category), Canadian National Exhibition, 1969.
Perfectly at home in either French or English, Cornelia’s unusually sunny voice has an honesty and directness which cuts straight through to the heart of a lyric. Yet, through each song, whether it be one of her own highly original compositions, or that of another writer, a radiant inner glow which illuminates everything she sings or does.
Cornelia Boucher . . . beauty queen . . . composer . . . vocal and instrumental performer . . . a unique and refreshingly new musical talent, who is destined Now for International stardom.
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